Crossroads and Other Tales of Valdemar, edited by Mercedes Lackey

I would have to say that this is my least favorite of the Valdemar short story anthologies. For one thing, I have a serious issue with the title--there is no story called "Crossroads" in the book! Then there's the fact that three of the stories had no reason to be set in the world of Valdemar at all They were interesting stories, but they didn't have to be in this anthology.

Other stories were really enjoyable, though. I think my favorite was the one set in Karse's distant past--right when the corruption was just beginning. And it was fun to revisit a beloved fantasy world. Actually, it's made me want to reread the books--I haven't touched some of them in years, despite owning most of them. In fact, I only read this one because I was on vacation. The Forest House was depressing me, and the only other books I'd brought were its sequels! Of the books my mom had brought, Crossroads was the most appealing.

The Welsh Fairy book by W. Jenkyn Thomas

Exhibit A: My love of all things Welsh.

Exhibit B: My obsession with faeries, fairy tales, and folklore in general.

Exhibit C: The title of this book.

The defense rests.

More seriously, this is a fantastic collection. There's a wide variety of fairy tales in it--mostly featuring actual faeries--and I felt that it gave me a really good feeling for Welsh folklore in 1907 (when the book was first compiled). One can't really judge on the literary merit of folktales, but they're well-told, and most are entertaining and intriguing. A few had unexpected similarities to folktales of other cultures that I've encountered, and I would be interested to find out where these tropes originated (if it can be pinned down) and how they passed from one to the other.

The Bloody Chamber by Angela Carter

This short story collection is mainly retold fairy tales, which is a genre I adore, so I was naturally excited to read this book. Some of the author's takes on fairy tales were quite intriguing. I especially enjoyed the title story, Bluebeard with a quite a twist, and "The Courtship of Mr. Lyon," a sweet Beauty and the Beast. From there, though, it seemed to go straight downhill. The author's overwrought style, peppered with extremely obscure words, was enjoyable at first, but grating on the nerves after several stories. It never seemed to change, and a number of the stories, I felt, would benefit from a different style. Some of the stories had twist endings that made no sense, and some, particularly "The Lady of the House of Love," were just not interesting. (The last may have been more fun when it was first written, when the trope of the reluctant vampire wasn't quite so done.) I do recommend many of the stories if you enjoy the genre, but perhaps one at a time would be better.